Day One 60 Days of Birds Mixed Media Challenge

Rodney

6x6 inches.

Pastels, graphite, and white Signo gel pen on black scrapbooking paper.

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60 Days of Birds Mixed Media Challenge

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A Little Stitching

A little stitching with perle cotton on a mini shipping tag, while I worked on the 60 Days of Birds and the Almost Stitched newsletters!  Stay tuned as I will be giving away several memberships to Almost Stitched!

Dried Gelly Pens and Journal Pages

My gelly pens seem to have dried out somehow, there's still ink in the pens but the pens won't write. I've tried the water method to get the pens to work again but it didn't work.  If anyone has any tried and true techniques for making the gelly pens write again please let me know!

Still cutting papers for the soon to be created 60 Day Bird Challenge Journals.

Today I went through my scrap booking papers and discovered some really beautiful papters in my stash.  Those have now been cut down to size, 6x9 inches (and this is a 3+ inch stack of various papers!), and are ready to be incorporated into new journals.

Butterfly Collection No. 2

Butterflies No. 2
Repeat for paper and fabric.

Giddy or Jittery

Fabric paint on stabilizer.

I'm not sure if I'm giddy or jittery about the thought of putting some of my collections onto my website tomorrow!  The feeling I have is a whole lot like how I felt on my wedding day, a very strange mix of emotions, starting with how will this all turn out?

Anywho... tomorrow is the big day!

Junkin in June

More washi tape, from my favorite source Pixi's in Gilbert, IA. I have to admit that keeping a personal journal has become a lot more fun now that I've started incorporating all of those elements I've been collecting, but had no place in my regular artwork!  

Picked these up from one of the vendors at JB Knacker in Gilbert, IA this afternoon during their annual Junkin in June event!  

My watercolor issue resolved now that I've been reminded that I own sets of Caran D'Ache's Aquarelle watercolor crayons as I wasn't looking forward to replacing 20 year old dried up tubes of watercolor paints anytime soon!  Now that I'm using my aquarelle's again I can take my time and buy the colors I need preferably on sale as sets or as single tubes.

Deconstructed Screen Printing with Natural Dyes and Stencils!

Materials List: 

Silk Screens

Squeegee for Silk Screen

Stencils

Natural Dye Extracts

Gum Tragacanth Binder

Containers to hold natural dye extracts/binder I used paper cups.

Plastic Spoons

Newspaper

Masking Tape

Fabric or Watercolor Papers

Products Used:

Black Birds in Tree Inverse Stencil

Links:

How-to make the Gum Tragacanth Binder Video

I am here today to show you how to use stencils with a silk screen and natural dyes for screen printing.

Instructions:

Mix up Gum Tragacanth with Natural Dye Extracts; see video for specific amounts and mixing instructions.  I made a little card with the names of the extracts I was working with and daubed a bit of the color next to each name, for future projects.

The Natural Dye Extracts blended with the Gum Tragacanth are now ready for printing!

Most silk screens won’t be the same size as your stencil, however, I have an easy fix for this problem.   Measure your screen and your stencil and then block off the required space for your stencil by taping news print to the FRONT of your silk screen.  Then tape your stencil to the front of the screen making sure to overlap the stencil onto the newsprint.

Blocked off silk screen, as seen from the front.

Blocked off silk screen as seen from the back.

Black Birds in Tree Inverse taped to the FRONT of the silk screen.

Place your natural dye binder medium onto the screen, towards the edge, this is known as “the well”.  Using your squeegee pull the medium in a firm manner across the screen, once you have reached the other side, pull the medium back towards yourself, do this several times adding more of the natural dye binder medium if needed until the color on the screen looks even.

Gently lift up the silk screen from your substrate, I used 300# cold press watercolor paper for this sample.

For this sample I used the same stencil and screen to print the image onto cochineal dyed cotton fabric that I had surfaced using my hand and earth pigments and fabric paint.

Printing onto cochineal dyed cotton fabric.

If you wish for your fabric images to be free of bumps, etc., tape the fabric to your surface to keep it from moving, etc., while printing.  I prefer an organic and whimsical look and therefore don’t tape my fabric to my table.

Solo Show

The reveal coming and soon, until then enjoy this oil pastel drawing, on paper, I made of a local bin and silo from June 2009.

Some Bird Art

Little medallions with featuring Black Birds in Tree, alcohol inks to the left, shiva paintstiks to the right (prussian blue)

Experimenting with copic markers and gelli pens on scrap booking paper.  Barely noticeable at the bottom are three of the washi tapes I purchased last weekend.  This will probably end up as the cover for my "new to me" journal.  Crow is from my Three Crows Stencil.

More birds to come, I'm working on a major project (all new work for an upcoming solo show) the big reveal will happen and soon, until then here's my latest samples to see how the various mediums work with the stencils.

Journal Makings

I was planning on making a 4 x 6 inch journal this evening but my block of 4 x 6 solid color papers seems to have gone AWOL!  So maybe tomorrow evening instead?

WIP All Beaded Up

Now with more beads, and definition.

Creating a Strategic Objectives Journal for 2014

Am working through Lisa Sonora Beam's "Creative Entreprenure" book again, last time was 2008/09, and am now just creating my Strategic Objectives Journal.  I have to say this has been a lot of fun this time around, it especially helps that I now understand most of what she discusses, this due to five years of reading and researching how to run a business. (Raven Stencil available soon!!!)

And what would a journal be if I didn't personalize it with my own artwork?  Blackbirds in Tree from StencilGirl Products stencil with FolkArt Indigo paint for the first layer of this journal section.  I found these old manilla folders in hubs office, when I say old we're talking 30-40 years old here, and am repurposing them for my new journal. 

How I dealt with the uneven edge of the manilla folder, I simply placed a piece of old reciept journal paper under the folder edge. 

The journal paper freshly stencilled.  I'll add more layers to this piece of paper and glue it inside of the journal somewhere.  More later, I have more birds to paint now that the first layer has dried, while I think about my objectives.

Black Birds in Progress

I'm still in the layering of paint and ink stage, I will be adding more layers tomorrow and then hopefully finishing out the birds.

Black Birds in Tree stencil can be purchase through StencilGirl Products!

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Part One - Black Birds in Trees Harvest

With a round object of your choice (I used a 6" plate) and a soft pencil (HB) draw a circle on your 9x12 sheet of watercolor paper.

 

 

 

Using a texture or geometric stamp, and waterproof ink, add some texture around the circular area.

 

 

Now fill the circle with some yellow paint, I used Folk Arts Medium Yellow.

Using a thin layer of grey paint the background.

The thin layer of paint will allow the background texture to show through; allow paint to dry completely.

Now apply alcohol inks and in random manner.  I spritzed the moon area with butterscotch, lettuce, and red pepper.

Not to worry the inks will dry way lighter than what you see in the image here! 

About half dry now, it will become lighter still!

Once the alcohol inks are dried take a baby wipe and in a swirling motion remove most of the ink from the moon shape on the paper.

This gives you a realistic moon shape and fall harvest coloring.  Not all of the ink will wipe away and this is fine you don't want it all to wipe away.

If you need to amp up the color for the background now is the time to do so.  Here I recharged the alcohol ink using some additional inks and a water bottle.  Spritzing with water will cause speckling, etc., to occur giving you more texture.

Place stencil of choice onto background, and using dry stencil brush techniques push the paint through the stencil onto the paper.  Here I'm using my stencil Black Birds in Tree which is available through StencilGirl Products!

Too much paint will cause the paint to go under the stencil and well creates a HUGE mess, but this piece can and will be redeemed!  Folk Art Paint - Licorice

And because sometimes I am a bit of a perfectionist, yes me, I went and created a second piece the steps of which are above, just to see if I could get the stencil portion correct!

And I managed to keep the paint in the lines this time!  Ok, the paint should be dry now I'm off to add more layers to the first version of this piece to see where it takes me, oh and to cook dinner!

Stay tuned for Part Two!